Arnold Jacobs' Clinic Notes

Arnold Jacobs, retired Tuba Chicago Symphony


Concepts Part 2

Subconcious

Medicine

Avoid extremes

Muscles work in groups, not individually

High register

Full breath

Vowels

Air capacity

Function of
  • Age
    • Diminishes with age
  • Height
    • Long torso means large capacity
  • Weight
    • Overweight is detrimental.

Hyperventilation

Exercises

Breathing
  • Should be practiced
    • Away from instrument
    • In front of mirror
      • stripped to see motion
    • Will take six months or more
    • If done consciously, will not be natural
    • Must replace former practices
  • For continuous action
    • Extend arm(for visual reinforcement)
    • Inhale-Raise arm
    • Exhale-Extend arm
    • Move smoothly, continuously
    • Motion, not pressure
    • Practice partial contents
      • Move in thirds
      • Move in halves
      • Have younger students blow into a bag.
  • For maximum fill
    • Lower arms at side
    • Inhale-Raise arms out and up over head
    • Exhale-Lower arms
  • To counter CO2 buildup
    • Hyperventilate before passage
  • Ease in inhalation
    • Open mouth as wide as possible
    • Feel bottom of mouth with tongue
    • Change air direction instantly
      • Will relax system
  • Speed and Quantity
    • Five Count
      • Slow inhalation to begin
      • Exhale-2-3-4-Inhale(5)
    • Four Count
      • Slow inhalation to begin
      • Exhale-2-3-4-Inhale("and" of 4)
      • Exhale 5-6-7 in hale on 8 (for even quicker breath).
Buzzing
  • Better on rim or mouthpiece
    • Requires less force
    • Removes powerful influence of instrument
Inhalation
  • Think "SUCTION"
    • Begin with resistance
      • Use soda straw
        • Cut in half-Inhale
        • Continue to halve straw, increasing volume of air
    • Decrease resistance as progress is made
Posture
  • "Puppet on a string"
  • Convert standing into sitting position
  • Avoid rigidity--think length.
  • Do not fold to exhale--straighten to inhale.
  • Keep the spine long.
  • Jacobs prefers Rolf to Alexander.
  • Playing "H" articulation
    • To avoid "stickies"
  • Play octaves with vibrato on upper note.
Locking
  • Substitute word for note.
  • Support available before note starts.
  • Descend from high note
    • DO-TA
    • DO-LA
    • DO-SO

Problems

Grunting
  • If at start of sound
    • No great problem
    • Caused by muscular contraction in abdominal wall
    • Correct by holding air with expansion only
    • Count loudly while holding air
    • Feel little air on back of hand
    • Practice away from music
  • If at end of sound
    • More serious
    • Caused by increase of muscular activity
    • Not blowing-Inactive
Stage fright
  • Slow breathing
  • Use solfege(singing)
    • Good psychological tool--no anatomical validity.
  • Flood brains with sound
Embouchure
  • Length
  • Thickness
  • Tension
  • Use solfege as a stimulus
  • Use as replacement for vocal chords.
  • Do not fix in any particular position.
  • Begin with buzz , not mouthpiece.
  • Swelling lips
    • Lymph system
    • Histonine is the substance.
    • Buzz on ring
    • Lip massage to move out of lip
Phrasing
  • Find middle note
  • Sustain
  • Time
  • Compare to phrase in piece
  • Work out breathing
Tongued passages
  • Slur to prepare

Tools

7/8 inch diameter tube
  • Put mouthpiece in tube and blow.
    • Inhale and exhale.
  • Then forefinger in one end
    • Inhale and exhale.
  • Open tube
    • Inhale and exhale.
Six-litre anesthesia bag (One and a half lung capacity is a good size)
  • Fill bag with exhalation
  • Inhale from bag
  • Play passage
Ping-pong ball in tube
  • Begin with more resistance
  • Inhale and exhale
  • Keep ball in raised position
  • Ball should remain during in tongued passage.

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